Must Watch Gurubani

Heavenly Acupressure Mat - Orange

Product Description

The Heavenly Acupressure Mat is an effective tool for relieving stress while promoting relaxation. The Heavenly Acupressure Mat helps to promote the release of the body's own pain-relieving and happiness hormones - endorphins and oxytocin- which help to release tension, create relaxation and promote a sense well-being. Basic positions target the back, stomach and hips. Heavenly Acupressure Mats allow you to have all the benefits of acupressure in your home or office, for less than the costs of a single acupressure or massage session! These mats are made from high quality materials and feature 8820 contact points to help relax your back, neck, shoulders, and legs. The Heavenly acupressure mats measure 29 x 17 x 1 inches in size. Comes in display box and is an excellent gift to yourself or loved ones, that keeps on giving!

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Vera Rohm

Product Description

Both a sculptor and a photographer, German-born Vera Röhm is best known for her unorthodox approach to visual art. Using a repertoire of only elementary geometrical shapes, Röhm’s incisions, mutilations, and cross-sections of various materials evoke the very real challenges of restoration and reconstruction.

Vera Röhm is the first comprehensive collection of this contemporary artist’s work to be presented to an English-speaking public. It explores the changing shape of Röhm’s art in such installations as Integrations and Shadow Objects, as her photographs of the Jaipur Observatory, and works such as the cube series bearing the inscription “Night is the Earth’s Shadow,” which form part of a significant corpus of work connected with language. Accompanied by essays from renowned poet and critic Eugen Gomringer and the art historian Stephen Bann, Vera Röhm is lavishly illustrated with images from her exhibitions.

About the Author

Eugen Gomringer was one of the founders of the Concrete Poetry movement and has published many volumes of poetry and essays on poetics. Stephen Bann is professor in the Department of History of Art at the University of Bristol and has published widely in the field of contemporary art. He is coeditor of Interpreting Contemporary Art; the editor of Frankenstein, Creation and Monstrosity; and the author of Paul Delaroche: History Painted, all published by Reaktion Books.

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